My work is grounded by my passion for costume making, using historical silhouettes and techniques to push the boundaries of modern-day costume design. Diving deep into the research of any project, I’m interested in both the big-picture and the hidden details. I’m driven by the intimate connection between humans and clothes, and how this ancient connection can aid in bringing characters to life. I’m excited to work in both theatre and film, especially making, sourcing, and supervising.